More to the point, she fails to remain whatever she was-or whatever Theodore imagined her to be-when they first met. As of the undetermined year of Her’s setting, an artificially intelligent entity like Samantha would no longer fail the Turing test for being insufficiently faux-human instead, she might fail it for being excessively post-human. The sticking point in Samantha and Theodore’s relationship isn’t that Samantha lacks a body but that she is so vastly superior to Theodore in the realm of adaptation, a biological and philosophical concept close to Jonze’s heart. Not a literal embodiment, as Samantha lacks a body-but that open space is a gift to Theodore, too, because, like anyone newly in love, he can project onto that blank screen however he pleases.Īt least as far back as Shakespeare, the two halves of a romantic relationship have always operated as machine-learning algorithms, adapting to each other over time to create a more perfect union. Poor puppyish Theodore’s main dilemma is an excess of privacy.) Samantha is kind, funny, cheerfully pragmatic, and endlessly attentive to Theodore’s needs, which is to say that she’s not only a fabulous OS but also the perfect embodiment of any half of a relationship during the early honeymoon period of swoony infatuation. (This sweet exchange is one of the film’s admittedly few nods to how rapid technological advancement alters our notions of privacy. Samantha can read a book in two-hundredths of a second and, in a matter of moments, digest Theodore’s entire email archive, where she discovers that his marriage has recently collapsed Theodore in turn calls her nosy, with great affection. Samantha is a possible soul mate for Theodore (Joaquin Phoenix), a ghostwriter at a site called, where he conjures up heart-swelling memories for clients who have effectively outsourced their feelings. In Her, that voice belongs to Samantha (Scarlett Johansson), billed as the world’s first artificially intelligent operating system.
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